Category Archives: petit CABANON

Buildings and Remnants is an essay-project curated by Inês Moreira and Aneta Szylak, which looks at the post-industrial condition through its buildings and spaces. Buildings and Remnants explores an interdisciplinary reading of space, architecture and post-industrial heritage through visual arts, architecture and moving images, exploring in the research the tools … Continue reading →

Devir Menor project, curated by Inês Moreira and Susana Caló, comprises an exhibition and a book introducing projects and work methods from architects and collectives within the Ibero-American context. The project proposes a hybrid research, drawing from architecture, critical theory and the practice of materiality. It deals with … Continue reading →

I have just updated a page with information on this project. 5 years ago we opened a crazy interdisciplinary project named Storage. After a year of research through out the University Museums, we picked 570 objects and invited a dozen of … Continue reading →

opening the 12th of january 2012, angers, france This exhibition is first public presentation of the art collection of Lab´Bel.  We at petit CABANON have studied the spatial distribution of the collection in the gallery space. Hope to have some images … Continue reading →

after having wordpress to play me a trick, my domain is back. Will Be, Tim Etchells Two Part Neon Sign. 2010. www.petitcabanon.org

expo: Même pas Vieille / Paris version curator: Gilles Baume for: Lab´Bel, Laboratoire Artistique du Grupe Bel [ +info ] venue: Gaite Lyrique, Paris [ +info ] 15 Novembre 2011

The curatorial team has recently been appointed for the 2012 exhibitions of Alternativa in Gdansk. Alternativa is a two-year pilot program aimed at establishing a recurring large-scale, knowledge-based and politically informed curatorial practice whose distribution will be through exhibition aims, … Continue reading →

Exposing Exhibition is a one-day conference that, following the triennial meeting by ICOM-CC held in Lisbon, aims to be an extended place for reflecting on issues concerning tangible and intangible heritage, particularly in relation to contemporary art. As the interface moment … Continue reading →