under preparation, an exhibition in France, early June
Curators: Silvia Guerra and Laurent Fiévét
Space: Inês Moreira + Diogo Matos [petit CABANON]
Among other interesting artists: John Wood and Paul Harrison (from Tate Chanel)
Tag: art
Mapa de Jovens Práticas Espaciais [arqs_pt] / A21
Carl Cheng, Santa Monica Art Tool, 1988
“Desde já, o Mapa de Jovens Práticas Espaciais não é um mapa de estradas e caminhos da jovem arquitectura, não oferece um sistema definitivo de orientação, não propõe uma organização do território da Arquitectura, e, sobretudo, não bidimensionaliza a multiplicidade de actividades e posturas. Pelo contrário, estas práticas tornam problemáticos os contornos do campo da arquitectura, intricando-os com diversos campos entendidos como “extradisciplinares”, isto é, as exterioridades da arquitectura como a política urbana e a filosofia, ou a performance e a organização de eventos. Este mapa, propõe incorporar actividades dispersas e diversas, muitas com pouca visibilidade pública, nem todas identificáveis com a “prática profissional ou projectual do arquitecto”, e redistribui-las, apelando à imaginação e à inventividade de quem o lê.” IM_10
Mapa de Jovens Práticas Espaciais [arqs_pt] / texto-e-edição-in-progress para Revista A21 de Março 2010
raven row _harun farocki
image [here]
_exhibition Harun Farocki. Against What? Against Whom?
19 November 2009 – 7 February 2010
Raven Row, 56 Artillery Lane, London E1 7LS
In Comparison
Harun Farocki, Germany, 2009, 61m; 16mm, color, sound
“Bricks are the resonating fundamentals of society. Bricks are layers of clay that sound, like records, just simply too thick. Like records they appear in series, but every brick is slightly different—not just another brick in the wall. Bricks create spaces, organize social relations and store knowledge on social structures. They resonate in a way that tells us if they are good enough or not. Bricks form the fundamental sound of our societies, but we haven’t learned to listen to them. Through different traditions of brick production Farocki’s film makes our eyes and ears consider them in comparison—and not in competition, not as clash of cultures. Farocki shows us various brick production sites in their colours, movements and sounds. Brick burning, brick carrying, brick laying, bricks on bricks, no voice off-commentary. Twenty intertitles in 60 minutes tell us something about the temporality of working processes. The film shows us that certain production modes require their own duration and that cultures differentiate around the time of the brick.”
dossier EVENTO _rev _mag Arq./a 75/76
[dossier cover _capa do dossier ]
Dossier sobre processo de pesquisa Encontros Performativos: Íntimo e Colectivo, realizado em Bordéus, Outubro 2009 para Geração Z da Revista Arq./a [Nov/Dez 09] , edição: Inês Moreira Redacção: Inês Moreira e Cláudia Martinho, site:www.evento2009.org Design: Carla Ferreira, tradução pt: Sara Moreira [Nucleo de Jornalismo Académico do Porto / JUP], Créditos fotográficos: artistas, Christian Lesemann, Pierre Antoine, Frédéric Deval, Lysiane Gauthier, agradecemos:Didier Fiuza Faustino, Mairie de Bordeaux, Revista arq./a e a todos os participantes no evento 2009
[Arq./a 75/76 magazine cover _capa revista ]
audiowalks _visões úteis _conferência FBAUP
Um audio-walk é um passeio sonoro. Um guia áudio que conduz o ouvinte por um determinado percurso.
No caso dos audio-walks do Visões Úteis, o percurso é desenhado pela cidade – o espaço público. (…) Mais do que paradoxo temos ilusão. O público só é protagonista da sua própria fruição, como em qualquer espectáculo. E a ligação profunda à realidade é completamente manipulada. Tudo é finalmente ficção. Ainda que a ficção seja criada em estreita ligação com o local e inspirada pelas inúmeras vozes reais que habitam o percurso. Só assim a ilusão é possível. (..) O espectador desloca-se ao local de levantamento do equipamento (Coma Profundo: guichet do fiscal do Mercado da Foz, Porto; Errare: IAT – Tourist Office, Parma) e em troca de um documento de identificação recebe um Discman e respectivos auscultadores e inicia uma experiência audio-espacial que o leva a percorrer várias ruas seguindo as instruções que ouve. A viagem a que se submete acontece numa dimensão definida pela paisagem real por onde se desloca e pela paisagem sonora em que imergiu. No fim, regressa ao ponto de partida para devolver o equipamento.
29 outubro 2009, 17h no auditório do pavilhão novo da FBAUP.
[sessão aberta organizada no âmbito da “Colaboração científica com o projecto Europeu Transformations/FBAUP”, financiado pela Cultura 2000]
performative presentation _phd research
Performing Building Sites_ 15 minutes Performance conceived by Ines Moreira, as “the curator”, and performed by António Lago, as “the buider”, at Museum Studies Research Seminar, in the 12th October 2009, 2pm. Written as a comunication for the panel debate on “Museums and Curating”. [Moderator: Lúcia Matos Participants: Laura Castro, Ana Luísa Barão, Inês Moreira with António Lago, Pedro Carvalho De Almeida] [12-14 October 2009, Fundação Cupertino Miranda, Porto]
Estaleiros Performativos_ Performance de 15 minutos concebida por Inês Moreira, enquanto “a curadora”, e realizada por António Lago, enquanto “o construtor”, para o Seminário de Investigação em Museologia dos Países de Língua Portuguesa e Espanhola, no dia 12 de Outubro 2009, às 14h. Escrito como participação na Mesa de Debate sobre Museus e Curadoria. [Moderador: Lúcia Matos Participantes: Laura Castro, Ana Luísa Barão, Inês Moreira com António lago, Pedro Carvalho De Almeida] [12-14 Outubro 2009, Fundação Cupertino Miranda, Porto]
fotos: Patrícia Azevedo
evento 2009 _bordeaux
uf
collective intimacy _bordeaux
_
Intimate and Collective: public debate
curated by: Cláudia Martinho, Inês Moreira, Marcin Szczelina
2pm – 6pm, October 10, 2009 Chapiteaux, Bordeaux
2pm – 6pm, October 10, 2009 Chapiteaux, Bordeaux
_
Evento 2009 is a public event happening through the urban spaces of the city of Bordeaux presenting artistic, architectural and performative installations articulated by the notion of Intime Collectif, the hub concept proposed by its curator, Didier Faustino. Exploring different dimensions of intimacy and collectiveness in public space, every programmed and commissioned art piece, architectural space, ephemeral event and sound experience is addressing situations where Intime Collectif exists. But how, and where, is Intime Collectif having expression? Is Intime Collectif
a condition of the everyday? Contributing a bit further to the disentanglement and recomposition of the relationships inscribed in the expression of Intime Collectif, a one-day event will take place on October 10, 2009. Named “Intimate and Collective: public debate” it is envisioned as a dialogic afternoon that seeks publicly to expand and unfold the core concept of evento 2009, provoking multi-perceptions of the notions implicated in Intime Collectif.
a condition of the everyday? Contributing a bit further to the disentanglement and recomposition of the relationships inscribed in the expression of Intime Collectif, a one-day event will take place on October 10, 2009. Named “Intimate and Collective: public debate” it is envisioned as a dialogic afternoon that seeks publicly to expand and unfold the core concept of evento 2009, provoking multi-perceptions of the notions implicated in Intime Collectif.
_
Cláudia Martinho addresses the political and social dimension of Collective Intimacy questioning collective experiences and the sharing of intimate perceptions as a means of [re]appropriation of public space.
Lara Almarcegui _artist muf architecture/art _artist Pelin Tan _ guest
interpolators : Anne Querrien, Maurizio Bortolotti, Juri Steiner
_
Inês Moreira questions whether Collective Intimacy can be clearly stated, proposing it as an ephemeral condition and non-predictive relational moment, occurring beyond declared “intimate collectives”.
Doreen Mende _ guest Democracia _artist MAP Office _artist Marten Spanberg / International Festival_ guest Paolo Plotegher _ guest
interpolators: Dennis Adams, Maurizio Bortolotti
_
Marcin Szczelina, suggests notions of individual immersion in space and corporeal perception of collective intimacy as a way of understanding an architecture of influences, without precise borders.
Laurent Tixador_artist Johannes Gess _artist Peter Cook _guest Sam Jacob / FAT _ guest
interpolators: Henry Urbach, Felix Vogel, Joseph Grima
_
The research on Intime Collectif contributes to activate a vocabulary and a weblog with contributions from artists’ production process and other invited guests such as Mirosław Bałka, Deadline Architect, Krzysztof Nawratek and Kobberling und Kaltwasser.
The research on Intime Collectif contributes to activate a vocabulary and a weblog with contributions from artists’ production process and other invited guests such as Mirosław Bałka, Deadline Architect, Krzysztof Nawratek and Kobberling und Kaltwasser.
The public debate will take place at the meeting point of evento on October 10, in a big tent in the center of Bordeaux by the river Garonne, where three screens, an informal audience, a DJ and a local radio station will be provoked to performatively expand on the notion of Intime Collectif.
more info: WWW.EVENTO2009.ORG
photo by paulo mendes
participative research
Tese de Mestrado em Arte / MA Thesis _FBAUP
A dimensão especulativa da prática artística
A partir do caso de estudo do Bairro da Marinha de Silvalde
Patrícia Azevedo Santos
_
defesa 1 de Outubro 2009, aula magna _fbaup
_
_
parabéns Patrícia!
Future Map _workshop and exhibition fbaup
_
30th September 09 _6pm (wednesday) to 13th October 09
FUTURE MAP _Exhibition of post-graduate students projects
Master in Art and Design for the Public Space _FBAUP, Porto exhibition developed as a workshop with Inês Moreira
artists: Brunna Anchieta, Eduardo Vieira de Almeida, Joana Nascimento, Luís Sezões, Maria Guiomar Côrte-Real, Michelle F. Domingos, Patrícia Monteiro, Patrícia Azevedo Santos, Rosana Alexandre, Rui Manuel Vieira, Sofia Santos e Vânia Cunha
2nd October 09, Sexta 10pm (friday)
Archaeology of the Urban _Book launch _Passos Manuel _Porto Authors: Álvaro Domingues, Inês Moreira, Gonçalo Leite Velho, Pedro Bandeira, Paulo Luís Almeida, Gabriela Vaz-Pinheiro, Mário Moura, Jorge Marques, António Olaio, R2, among other. [portuguese and english] Faculdade de Belas Artes, Universidade do Porto, 2009
evento 2009 _program
image: Diller Scofidio + Renfro and Julia Wolfe and the Conservatoire de Bordeaux Jacques Thibaud
_The artistic and urban rendez-vous of Bordeaux
First edition: Collective Intimacy
Curated by Didier Fiúza Faustino
EVENTO 2009 _Download program
evento 2009 will take place throughout the urban public space of the city of Bordeaux. This first edition will present artistic, theoretical and performative interventions by over 50 participants, articulated by the notion of Collective Intimacy, the concept proposed by Didier Fiúza Faustino.
books launch : 3 new books!
Sábado, 26 de Setembro, às 17 horas
na Inc. livros e edições de autor
Lançamento no Porto de um conjunto de três publicações de projectos artísticos e expositivos publicados ao longo de 2009.
Rescaldo e Ressonância! [Julho 2009]
Retrato Proteico [Março 2009]
Decon [Março 2009]
public art _evento 2009
Evento 2009 is under construction in Bordeaux. The foot bridge by Tadashi Kawamata linking the “foire aux plaisirs” and Evento 2009 (by the river waterfront) is almost ready. A big circus tent is there too… though our´s will be yellow and white. Evento 2009 is coming very soon, but you can find most of the production work in our active weblog.
Click our website.
evento 2009 _by paolo plotegher
Self-dispersing and dramatization (Mujeres Creando)
“A bride wanders in the streets of La Paz dragging her wedding gown, pushing a wedding cake on a wheeled tray. A bride as a mujer creando, a woman constructing, creating (creando) a situation, dressed as a bride, wearing a theatrical costume, borrowing her identity for the length of a walk. She talks with other women on the streets, in the market, on the pavements. “I hate men”… “I hate men”… “I hate men”… is what every woman says, I hate men because they are lazy, I hate men because they exploit women, I hate men because they are in power and they exploit us, I hate men because they have beaten me…”
Rescaldo e Ressonância! [aftermath and Resonance!]
Aftermath and Resonance! is a speculative project thinking through the spaces wounded during the fire of May 08 at the Rectorate of the University of Porto.
Aftermath and Resonance! is a modest approach, with an austere language, and is made public as a modality of spatial installation and as a publication. The project is born from the fascination for the accident itself, but rejects the spectacle of the catastrophe. It is a research onto the anti-spectacle and onto normality, sounding out the resonances of a non conventional space, performing the rawness and the materiality of the aftermath, and documenting it all through different media (video, photography, sound and space). A spatial essay is exhibited in an installative modality, interpreting and reenacting the consolidation process of the existing spaces through documentary records and materials that a group of contemporary authors collected in the aftermath.
Aftermath and Resonance! is a spatial essay about the potentialities and the metaphorical dimensions of exhibiting in “non conventional” spaces. The publication documents the exhibited projects and is complemented by essays on the ideas of institution, fiction and contingency.
A collaborative project of André Cepeda (photographs), Paulo Mendes (videos), Inês Moreira (curator and spatial concept) and Jonathan Saldanha (sound).
Catalogue with essays: Pedro Bandeira, Filomena Soares and Inês Moreira
evento 2009
Bordeaux – at the crossroad of cultures and artistic fields – invites you to share a unique experience:
an exhibition in movement, an immense urban festival, numerous international artists,
following an itinerary orchestrated by the architect and artist Didier Faustino. Exhibitions, urban events, artworks, performances, concerts, debates,encounters, complicities and free access…
petitcabanon.org 